Scaling up anamorphic footage to crop out the sides will adjust the aspect ratio to your desired look.īe sure to double check when you export your edit that your pixel aspect ratio in the export window is set to Square. Using this technique also comes with the benefit of easily adjusting the scale of your footage in the editor without having to recalculate. The aspect ratio is displayed next to the raster size. Change the Editing Mode to Custom, and type in whatever resolution you wish. Select the proper setting, click OK, and all of your footage will instantly conform to the proper aspect ratio. Answer (1 of 3): Premiere Pro sequences have a resolution found in the Sequence menu - Sequence Settings. Other lenses have 1.5x, or the SLR Magic is a 1.33 stretch. T he 2.0 will de-squeeze the classic ratio. Select this drop down and select your anamorphic ratio for the anamorphic that you are using. In the dialog box that pops up, find the pixel aspect ratio drop down menu. Right-click the footage, and click Modify > Interpret Footage Highlight and select all of your footage in the browser.

Premiere Pro CS6 and CC make it even easier to batch convert a whole set of anamorphic footage.

For example, ProRes HQ for 1080p at 29.97 fps has a target bit rate of 220 Mbps in Final Cut. For ProRes, follow the standard presets in your video editor to export your file.

For a 2x anamorphic lens, you’ll simply want to rescale your footage- adjust your clip properties, uncheck uniform or proportional scaling, and either multiply your width by a factor of 2, or divide your height by a factor of 2. If you have the ability to set the CRF (constant rate factor), we recommend setting it to 18 or below. Another common question we get concerns how footage shot with anamorphic lenses is edited in a modern editor such as Premiere Pro or Final Cut Pro.

Change aspect ratio in final cut pro